How not to sing so chest-voiced?
I attend a vocational music school and also take classical singing lessons there.
The problem is that I don't know exactly how to blend chest and head voice, so I usually use pure chest voice at least up to G1 (occasionally even up to B1), which is frowned upon in classical music. My singing teacher can't explain to me exactly how to blend the notes well without them sounding extremely airy.
And even in the middle range or with high notes below the E2, I place the notes incorrectly (the note seems to be too far back, which is why I quickly get hoarse when singing in head voice).
How can I address these two problems and make things better?
(1 votes)
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A remote analysis is not easy and in two minutes it is also difficult to explain, yet an attempt.
As always, it is also a question of training, i.e., if you have rarely sung in this position with a head, it is clear that it sounds luscious at first. This is due to an inadequate voice band closure. It’s time.
I suppose you know that “u” stimulates the head voice? Combine the “u” with vocal explosives, e.g. “gu”, which improves the vocal cord closure immediately and with frequent training permanently.
Better register compensation in the middle position is obtained You can also use the combination of the “head vocal” “u” with the middle vocal “i”, e.g. judi or diju. Then it becomes more sound.
If you have any questions, register.
Now I have not written anything to the front seat: “nimnom” speak quickly with the tip of the tongue, so the tone must be put on.