Hi,
wie nennt man den Dreiklang mit folgenden Noten:
B E G
Ich vermute, dass es sich um die 2. Umstellung von einem e-Moll-Dreiklang (?) handelt…
Aber handelt es sich jetzt um einen E-Moll Major7 Dreiklang oder wie nennt man das?
Vielen Dank schon im Voraus!
(3 votes)
Loading...Ich gehe morgen aufs Rammstein Konzert und wollte meine Kutte mit spikes anziehen. Da wollte ich fragen, ob man mit sowas da überhaupt rein darf. Verletzen kann man sich da eigentlich nicht, hab aber trotzdem Angst, dass die mir weggenommen wird.
Guten Abend, ich habe meinen Briefkastenschlüssel verloren. Wie kann ich den Briefkasten wieder Nutzbar machen? Es handelt sich um eine Briefkasten der mit 7 anderen verbunden ist, an einem Wohnblock.
Hier das Lied: https://youtu.be/vTdrHc3gEfY?t=56 Und hier mein Versuch es nachzubilden: https://vocaroo.com/1eCbVD1eYcFq Es hört sich nicht richtig an für mich – woran liegt das?
Ich würde gerne demnächst auf einem Festival gehen, allerdings ist das Problem das ich im Oktober erst 16 Werde, gibt es Irgendwelche Festivals ab 16 Danach Die man Jetzt schon Buchen Kann Höre am Meisten Hardstyle, Rawstyle, Hardcore, Uptempo und alles In diesem Bereich danke im vorraus
Hi, ich wollte einmal fragen was die Vorzeichen T,S,D bedeuten und wie ich sie bei einer Tonleiter einsetze. Ich brauche das ganze dringend bis spätestens morgen und ich wollte also nur kurz wissen was die einzelnen Buchstaben heiße und wie ich sie in der Tonleiter einsetze
Hello,
in any case, it is a shortened three-tone, i.e. a three-tone in which the basic tone is missing.
b – e – g:
Fully it would be c – e – g – b, so the c is missing. A Dominantseptaccord on c with the Septime in the bass, leads to F major or f minor.
ais – e – g:
Would be completely fis – ais – cis – e – g, it is missing fis and ais. A (abbreviated) Dominant-Sept-Nonen-Akkord on fis, leads to H major or h minor.
LG
alecquinone
Addendum:
The tones h – e – g would be e-moll, then it would be 2.contact.
Hi, could you please edit your answer if possible and change the address? For anonymity…
Hello,
E-G-B would be a reduced triad with Grundton E.
B-E-G would then be the second reversal.
e minor would be E-G-H, E-Dur E-Gis-H.
Best regards,
Willy
This is a reduced triad on E.
Common spellings are Em−5, Emb., Edim or E°.
Thank you. -5 and not -7? How does that happen?
2 3 4 5 6 7
E F G A H C D
The H, which is lowered to B, is the 5, not the 7 (that would be D).
zaltos description follows the Stage theory, which denotes the ‘naked’ chords, without their harmonious meaning and without their harmonious function. It does not describe harmonic relationships.
It is questionable by the spelling (Em−5, Emb.) to bring this chord near e-moll, because with e-moll he definitely has nothing to do.
In Functional theory (my answer) the being and the harmonious meaning of the chords are described.
A three-tone sound has Grundton, Terz and Quinte.
With Septime, it would be a quadrant. It can now be speculated that it could also be a C7 that lacks the C or the like, but that would have to be derived from the overall harmonic relationship in the piece.
Well, then “Subdominant-Sextakkord” (in principle, after Rameau it is possible to use the term “sixte ajoutée” only in the case of plagal closure). But a function-theoretical interpretation as a subdominant is possible.
But in any case, zalto has the right to know the context of the chord in order to decide whether it is a C7 without a ground tone or a Gm6 without a quinte.
Consonance -> Summation -> Wohlklang
Dissonance -> Dissounding sound -> Missing sound
harmonic -> belong to the Dur minor Harmony
That’s not right.
‘Sixte ajoutée’ is a shortening of the term ‘Accord de la sixte ajoutée’ introduced by Rameau, in German: Accord (with) the added Sexte.
Hugo Riemann has distinguished three subdominal chords:
– the ‘simple’ subdominant with the quinte (S),
– the subdominant with sexte the Quinte (subdominant sextakkord, S6)
– and the subdominant with Quinte and Sexte (subdominal Quintsextakkord, S56).
Only the last one called Riemann ‘Sixte ajoutée’.
I don’t own the work of painters. The fact that painters have called the subdominant sex monk as ‘sixte ajoutée’ – historically incorrect, linguistically insane and deviating from Riemann – I doubt very much.
And even if it should be, I follow Rameau and Riemann, because a nonsensical term can only confuse, not describe.
I don’t know that distinction. Are there sources for this?
The quinte can be missing at the “sixte ajoutée” chord. I also wrote S6, not S56.
https://www.matthies-koehn.de/harmonielehre/html/sixteajoute.html
Wilhelm Maler: “Contribution to the Durmolltonal Harmony Teaching”, p. 14
“Instead of being added to the complete subdominant triad, the sexte can also replace the quinte (S6)”
If they all exist. b – e – g is in the function theory a three sound without a basic tone: Terz, Quinte and Septime when it is related to the basic tone C.
Reduced and excessive three-length are dissonant, but harmonious.
Yeah.
Maybe yes, maybe no.
In d-moll it can be the intermediate dome to the tonic parallel – i.e. C7.
No. Subdominant is possible. Sixte ajoutée is not the subdominant with Quinte and Sexte, S56That’s what the Quinte is missing.
Also in reverses and other layers, the sounds of a trio are still called Grundton, Terz and Quinte. All sounds with 3 tones, which can be traced back to the basic position layered in 2 terces, are three sounds, not harmonic as the reduced or excessive three sound. The rest aren’t three sounds.
A reduced triad e-g-b can also be the II. Stage in d-moll, then it would not be a C7 but a subdominant (by function theory sixte ajoutée, S6).
So there is not only a possibility of functional theoretical arrangement.
That’s wrong. A three-tone is defined as a harmonic sound of three tones. There must not be 1st and 3rd and 5th stages.
No. Whether it’s a three-tone or four-tone, depends solely on the number of tones, not on their function.
That’s not right either. Within the Dur-Moll-Harmony these chords can be clearly identified and described. My answer is a description of the chord, no speculation.