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Nelekol
2 years ago

Of course it depends on what kind of genre you want to write or have already written, but I have one or two ideas for you.

I don’t know. It reigns dark times in a world and a lonely warrior is able to destroy the hurricane for this terrible time. This warrior, however, is rather a single fighter, merciful and very idiosyncratic, but for this “mission” must accept and accept other people who help her (people from the population who are against the domination of this certain person). thereby the warrior learns a lot and becomes stronger and at the end the person who has brought the disaster over the people.

Idea 2: A child is found by a woman collecting berries or mushrooms, she has pity and takes up the child, but later it becomes clear that the child has any strength. Either good or bad. If it gets bad, the child tries to use it for the good. Zb will be a protector of something or something.

Fuchssprung
2 years ago

Throw your hero into the greatest possible mud armchair and see how he grows in his problems and how he frees himself from it. Take his freedom, possession or status.

Give him a friend to the side to create a spiritual exchange. Think of a time when your story plays (preferably not the present) and don’t forget the villain. He should be smart and superpowerful. Actually, the hero shouldn’t have a chance against him, but somehow he’ll catch him at the end of the book.

Do not write your book at all in the ICH perspective. There’s nothing good coming out. In this perspective, you can’t let your hero do anything evil. You have to explain everything he’s doing, and that’s stinky.

Use a narrator who leads the reader through the story. Then your hero can also be a pig and hit below the belt line without having to justify him and his deed. He won’t become a stinky, boring “Mary Sue.” https://de.wikipedia.org/wiki/Mary_Sue

If you’re done with your story, let her read you online from a program. That’s how you get inconsistencies and mistakes. If you hear your story, it’s something completely different than when you read it. If you’ve listened to everything and improved the mistakes, you’ll hunt your story through a spelling program. This also finds your last mistakes.

Here is a book built according to exactly this pattern.

How the Great Spirit gave the Indians the horse

Your story can play in another place at a different time. It doesn’t matter if you take a little girl or an old man. It’s just important that you don’t start your story before you finish. Just start when you know exactly how to end it. Nothing is worse than a story with a stupid end.

Only when you’re done with it, you put the story on Wattpad.

upbrunce
2 years ago
Reply to  Fuchssprung

Do not write your book at all in the ICH perspective. There’s nothing good coming out. In this perspective, you can’t let your hero do anything evil. You have to explain everything he’s doing, and that’s stinky.

Unless of course you’re a professional. Agatha Christie has thoroughly excerpted the scenario described by you in her third novel “Alibi”, with great success and at a high level (in the context of entertainment literature,…) But you’re right, maybe the FS shouldn’t try, because it’s already failing an idea of itself…

Fuchssprung
2 years ago
Reply to  upbrunce

Right! If you are called Agatha Christie, you can also write from your own perspective. But who’s Agatha Christie?

upbrunce
2 years ago

No, and please leave. Without an artistic idea, you cannot act artistically. Wait till the idea comes. At some point, she might come and then is the right moment to start writing.

Heartstopper7
2 years ago

Is there a fan fiction?