Ich kapiere das nicht. Die meisten, die Klavier spielen, bewegen sich so komisch. Ich Spiele ganz normal Klavier und musste mich noch nie so mit bewegen.
Ist es, damit sie die Musik mehr fühlen?
(2 votes)
Loading...Kann ich einen Treiber der in einem Gehäuse mit W-Horn Bauweise verbaut war in ein Bassreflex Gehäuse einbauen? Also Beispielsweise einen Treiber vom Fame Audio MT-218B in das Gehäuse vom Fame Audio MT-118B. Gibt es dort Änderungen oder Nachteile? Danke für jede Antwort! 🙂
Hey, Ich bin vor ein paar Tagen auf die Band BTS gekommen. Ich liebe sie jetzt schon. Ein paar Lieder habe ich schon gehört. Mich würde es interessieren ob ihr noch ein paar gute Lieder von ihnen kennt. Ich freue mich auf eure tollen Antworte 😀 LG Flämmchen🔥
Stellt euch vor: Der Abschlussball steht bevor…. Ihr könntet mit einer berühmten Sängerin zum Abschlussball gehen Doch welche wäre es? Gerne auch begründen warum ^^
Hey. Ich hab vor über einem Jahr nh Gitarre geschenkt bekommen. Seitdem versuch ich es mir beizubringen, finde aber irgendiwe nicht so richtig mptivation dafür, weshalb ich eig noch komplett am anfang stehe. Deshalb wollte ich fragen was ihr so für kostenlose optionen im Internet kennt mit denen man es mal versuchen könnte.
Hallo, Könnt ihr gute Radiosender empfehlen wo Hip Hop und House im Mix oder Wechsel und keine Nachrichten oder Werbung läuft!?
Hallo, ich kann mich irren, aber ich habe durch den Violinenschlüssel ein Problem mit diesen Noten? 1. Warum steht unter dem A noch ein Pausenzeichen? 2. Überkreuzen sich nicht an der selben Stelle die Hände? 3. Ist die letzte Note (h) nicht links und rechts die gleiche Taste? Es handelt sich um eine Version von…
Hello Pappstrohhalm,
You generalize in your question. Most of the great pianists concentrate and confine themselves to the essentials. Friedrich Gulda was even told in his younger years, he hardly moved, he sits like at the desk.
What is the essence of the body? master the technical requirements. What you play out of your hand can remain in your hand. What you play out of the arm needs – not to scratch – counterweight and relaxing interplay with the upper body.
The pianist should be his most attentive listener. The music happens in his imagination, his body realizes it only with the help of the instrument.
Just as gestures flow into conversation in a conversation, gestures can flow into the sequence of movements during the musical talk: moments of special attention, lightness when the music begins to dance, increased access when a passage becomes intrusive or epic…
Everything else is uncontrolled and more or less bad habit.
With a few but also show. I like to hear one of the most important pianists watching him play hard: Lang Lang Lang. What he does in his concerts – apart from the actual piano game of course – has little to do with the music: He looks like his older sister poisoned his hamster, and he starts crying. But with a wide audience it seems…
LG
alecquinone
Thank you.
Lang Lang is and remains my idol and favorite.
There are several reasons and different views.
(1) Piano is not played from the fingers (against assumptions of many lay people), but from the upper body. The necessary movements already occur in the shoulders. Since the musculoskeletal system must remain uncomplicated, it does not help many to scratch by “leaning” instead of always keeping quiet.
(2) On the other hand, the statement of scratches is from its standard teaching, the body is most loose in a completely quiet pose, additional movements mean more effort.
(3) As Don Credo has already replied, many of the music can be driven by Rythmus and Melodik and give themselves what automatically leads to the movement, such as the “Mitschunkeln” when the radio is running.
(4) Some pianists tend to an excessive show effect (best example is the well-known Lang Lang). Maybe to make the audience even clearer that they actually “live” the music they play. Possibly also to overplay weaknesses in interpretation (as in this example).
lg up
So when I had piano lessons at the time, I got so a part put on the upper body that was there that I could only look at the notes but not on my hands, so I’m moving as if I had a stick in the popo and no hip rotation is possible.
My colleague had learned quite cool on the keyboard and doesn’t look as cramped as I do when he plays.
While singers, concert singers, whose instrument is the whole body, remain relatively calm, pianists often shook and resist as if they were devastating flies, so you don’t like to look. But you can often not listen enough, because the too much of the body movement corresponds to the speed of the finger movement. Both come from affection, because they want to see their skills and their person. A famous pianist, for example, plays Liszt’s dream of love No. 3 in an oversonic state, so that you can’t even turn around as fast as he plays, because it’s like a competition where one has to surpass the other in order to also exist or notice. Piano or even organ competitions are still promoting these unssitts: there without feeling, in spite of Schunkelei, here without ears despite a hundred (nuanced) registers, because mostly all with one!
It is not with the they feel the music more, but because they feel the music so strong that they must express the emotions through movement.
For example, if you listen to a song which is super good, you often move along, dance to it etc.
I’ll make a comparison with a metronome that swings back and forth. You take the Rythmus into the body… maybe. Gruss
Just show. Long is the worst. Horowitz did not make such faxes.
Play piano or not, would interest me.
Yeah, I do.
e.g. to estimate the time of the break up to the next sound