Sind Moll Akkorde geeignet für Emotionale Songs für die Gitarre o Klavier?

It’s not about the chords alone, it’s about the key. So potentially all chords are suitable for everything. The order and the way you play it give the song character.

What makes the song melancholic-supporting or rather “happy” and powerful depends on the change of chords and tones. And this in turn is determined by the key.

A song written in Moll has corresponding changes inside, which emphasize the character of the Moll chords by adding Dur chords or vice versa.

As a small example:

C major and A minor are in the same position. Depending on how the song is now designed, it is either on the A minor tone ladder, which correspondingly starts with A and stops, or on the C major tone ladder.

Each dur-tone always has a moll item that fits exactly with it. Both use the same chords for different purposes.

That’s what it looks like.

1,2,3,4,5,6 and separately the 7

The numbers are the entire conductor, so:

C, D, E, F, G, A and the 7 is a reduced H.

1, 4 and 5 are always the same-named Dur-accords, 2, 3 and 6, on the other hand, the same-named Moll-accords. The 7 is reduced.

For the C-Dur/A-Moll tone, the following recipe is obtained from this and this recipe can also be transferred to any other tone. Depending on the type of sound, other numberings are then present, for example, in the G major, the G would then be 1, the A was 2, etc.

Back to C major/A minor. The numbering gives the following chords which are customary in this tone.

C major

F major

G major

D minor

E minor

A minor

H Reducing

The chords themselves number 1, 3 and 5, because you have Terz and Quinte in them. A C major consists, for example, of C, E, G, D minor, in turn of D, F and A. You can already use this knowledge and use the chord to find out the same-named key.

This principle can be transferred and whether a song is now sad or not depends on whether the chords of the Moll tone type are implemented accordingly or the Dur tone type. Just take a look at the conductors.

CDEFGAHC sounds quite different than AHCDEFGA.

Theoretically, this key allows you to transpose songs as desired and to disassemble them by means of the now clear chords and to improvise on the guitar after hearing. As long as you can grasp it, this is infinitely many possibilities, because you just make you fit what has not been matched before. You don’t even have to read a single note.