Im laufen fotografieren Sony Einstellungen?
Hallo, ich muss für einen Laufwettbewerb Bilder machen. Ich habe eine Kamera von Sony, die Alpha 6000. Es ist logischer, ein Weitwinkelobjektiv oder ein Zoomobjektiv zu benutzen. Und welche Kameraeinstellungen sind am besten?
Hello
do you want to take pictures in the running runner or photograph runners standing on the edge?
The image angle or the optics determines the subject and the distance of the motif when one runs in the pupil or stands directly next to the path is a wide angle sensible or a runner group.
http://www.sony.de/electronics/support/articles/00206559
http://www.sony.de/electronics/support/articles/00223372
Optics for sports reporting Target markets Media and daily newspapers
SEL 18-135/3.5-5.6 OSS
SEL 18-200/3.5-6.3 OSS
FE 24-240/3.5-6.3 OSS
For sports report on full format quality (advertising, calendar, artprint, World-Poster, Citlights)
SEL 18-105/4 G PZ OSS
SEL 16-70/4 OSS + FE 70-200/4 G OSS
24-105/4 G OSS
the a6000 can be used in AF-C (4D) mode (Pamphlet) https://www.sony.de/electronics/support/res/manuals/Z003/Z003853111.PDF at maximum 6-7B/S, at least with “fast” optics. The SEL 18-50, SEL 18-55, SEL 16-50 and SEL 55-210 focus only “medium-fast” where you land more at 4-5B/S without panning
For newspapers/online media in JPEG to ISO 6400, this results in daylight and aperture 8 (where the zoom optics have the highest resolution and enough depth of focus for users mistakes) by 1/1000th of the shuttering time for as low as long runners reach 1/125th, 1/250th for jumps or ball sports, so you go down to ISO 800 to have more image quality.
It is not quite clear from the question whether you are going there or photographing the runners. “Photographing” sounds like you want to take photos while you run. But I guess you want to photograph the runners.
There is no recipe for settings, will always depend on the weather and the time of day what you need for settings. For the runners, however, without blurring legs, you should choose at least a closing speed of 1/250, more than 1/500 or even faster. And adjust the remaining settings depending on the light situation.
A zoom lens is certainly better suited if you can’t push directly on the train. Because you want the runners up and not the audience. With a wide angle, however, interesting perspectives can arise if you photograph from the frog perspective and keep the camera close to the career (e.g. under the shut-off).
“run” photograph? you can run a video with a gopro or your handy in; single photos become 99% unsharp, orphaned and thus unusable.
But if you want to stand at the edge and photograph runners, then practice, practice and practice until you find out with which settings you are photographing quickly managed objects. short focal lengths are always better than long, forget a zoom.
If you want to train runners sharply, you need very short closing times of 1/1000 s and shorter. For images with several runners and their surroundings, of course, a shorter focal length is better.