Gitarre in der Theorie verstehen und lernen?

If you don’t know about the music theory, it’s pretty difficult because “Where to start?”

You’re writing soundtracks, things to play and accompany. Therefore from my page a few basic tips on these points:

Our music builds on the sound conductor (physical contexts I’m leaving). The conductor consists of 7 whole tones and 5 half tones. On the piano are all sounds = the white buttons and half sounds = the black buttons. Together, these 13 tones are referred to as “diatonic sound conductors” (DTL).

The bands are arranged on the guitar in such a way that exactly one sound is always recorded on the DTL. When you feed the first string (E), the sound = E. Put your finger on the first bundle, the next sound on the DTL = F. The second coil would then be the FIS, the third = G, etc.

Take the fourth string = G: You feed the G. On the first covenant you feed the GIS. On the second coil =A, on the third coil =AIS, on the fourth coil =H etc.

As far as the theory of conductors. You must now inform you how the sounds of the DTL are called and in which order they are standing.

(Simplified) guitar accompaniment: On the piano we speak of cadences, on the accordion are chords and on the guitar we call them handles. In music there are always 6 cadences together (the music is almost as logical as mathematics!) Almost all songs can be easily accompanied with these 6 cadences. Because it’s enough for the guitar player to master six handles perfectly.

Every tone on the DTL has its six cadences. In order to control all basic cadences, you should know 13 x 6 handles (musically not quite right, because many cadences overlap!) In addition, the music sounds in two musicians – DUR and MOLL. Thus there are actually for every sound on the DTL 12 cadences – 6 in DUR and 6 in MOLL. However, as a result of the above-mentioned overlaps, only 26 basic cadences are in the end. These are always assigned to the respective tone or tone layer in 6er combinations.

Each song is written in a certain pitch (written / composed). If you theoretically know all cadences, you can always play your songs in the tone, which is best for you or fits your voice. If a song is printed on the Internet in A major, you can play it in any other pitch. If you only master the cadences of G major, then think about, and just play in G major.

You have to deal with the cadences in order to finally know which 6 handles (cadences) belong to which pitch.

If you know the cadences, and either you can master them, or you can rethink quickly in your head, then a perfectly sounding accompaniment on the guitar is no longer in the way! Enjoy learning and practicing!